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'The Substance' (2024) -

The body-horror film pushes the limits of what audiences can endure, causing some to walk out of theaters. Director Coralie Fargeat takes risks to critique society's harmful beauty standards, as shown in a scene where the main character is brutally judged by a live audience. “The audience [in the film], (...) stands in for all of us as a society (...),” Fargeat explained in a Vogue interview.

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'Joker: Folie à Deux' (2024) -

The highly-anticipated 'Joker' sequel disappointed fans expecting to see the villain's chaotic side. Instead, the director focused on the character's internal struggles and the audience's obsession with violence. Some critics praised the film's meta-commentary on its audience and Quentin Tarantino even called it a brilliant move by director Todd Phillips, suggesting that the "Joker himself" directed the film.

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'The Menu' (2022) -

Celebrity chefs, high-end restaurants with exclusive reservation lists and peculiar menus, worshipped by critics and influencers—is it all worth it? The characters, and the audience, must face the dire consequences of glamorizing these elements.

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'Blonde' (2022) -

This biographical drama critiques the media's exploitation of Marilyn Monroe and the audience's voyeuristic fascination with her life. However, some viewers and critics argue that the film itself sometimes falls into problematic exploitative tendencies in its portrayal of Monroe's life.

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'Don't Look Up' (2021) -

This dramedy sci-fi film dives into society's denial of climate change and the audience's apathy towards it.

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'Spencer' (2021) -

Focused on Princess Diana's mental health and marital struggles, this biopic forces its audience to confront its own fascination with drama and its sometimes dangerous curiosity towards celebrities.

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'The House That Jack Built' (2018) -

Following director Lars von Trier's signature style of creating discomfort in audiences, this controversial film pushes the boundaries of taste and morality. It explores the mind of a serial killer and critiques society's, and by extension, the viewer's, fascination with violence and desensitization to suffering.

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'Star Wars: The Last Jedi' (2017) -

Director Rian Johnson boldly challenged Star Wars fans by embracing an anti-nostalgia agenda. Kylo Ren's line, "Let the past die," and Yoda's destruction of ancient Jedi texts highlight this theme.

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'Get Out' (2017) -

The film forces viewers to face the insidious nature of systemic racism. Jordan Peele also critiques the film industry's underrepresentation and misrepresentation of Black audiences, particularly in horror movies.

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'The Lego Batman Movie' (2017) -

The film suggests that Batman's solitary nature is flawed and that teamwork is more fulfilling. This more sensitive portrayal led some audiences to feel criticized for idolizing the loner, "macho" version of Batman.

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'I, Tonya' (2017) -

Focused on the scandal surrounding Tonya Harding's career, the film features meta-commentary, with Harding (Margot Robbie) directly addressing the audience. She criticizes their voyeuristic interest in her life, prompting viewers to reflect on their own motivations for watching the film.

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'Mother!' (2017) -

Using biblical allegories and extremely graphic scenes, director Darren Aronofsky provokes the audience with a metaphor: Jennifer Lawrence, representing Mother Nature, is brutally assaulted by people blindly focused on worshipping a deity. This raises the question of how long we will continue to exploit the Earth without consequences.

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'Birdman' (2014) -

This meta-film critiques the film industry, celebrity culture, and audience preferences. Referencing Michael Keaton's role as Batman, the protagonist complains about the audience's desire for "dumb movies," taking a jab at superhero film fans.

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'Noah' (2014) -

While the film's religious interpretation sparked debate, it was the inclusion of a vegetarian Noah that drew particular criticism. Some viewers saw this as a thinly veiled attack on meat-eaters. 

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'The Wolf of Wall Street' (2013) -

Based on a true story, this satirical crime film exposes the excesses of capitalism and the audience's admiration for wealth and power.

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'The Cabin in the Woods' (2011) -

The film doesn't shy away from poking fun at both horror films and their viewers. It critiques the formulaic, bloodthirsty nature of the genre and questions why it remains so appealing to the audience.

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'Sucker Punch' (2011) -

Zack Snyder's divisive film had some arguing it critiques the sexualization of women in action films, while others believe it falls into that trap. According to Snyder, his intention was indeed a critique of the audience. "The girls are (...) performing for men in the dark... the men in the dark are us," he explained in an interview.

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'Funny Games' (2007 & 1997) -

In both the Austrian original and the American remake, Michael Haneke calls out the audience for being complicit in the physical and psychological torture endured by the characters. 

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'Crash' (2004) -

Exploring themes of race, class, and violence in contemporary American society, the film challenges the audience's preconceived notions about prejudice and stereotypes, forcing them to confront their own biases and complicity in systemic racism.

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'Enchanted' (2007) -

This film subverts the traditional Disney princess formula, critiquing both the studio's portrayal of women within the widely used "damsel in distress" trope and the audience's fascination with these tales.

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'The Simpsons Movie' (2007) -

In the movie, Homer criticizes people for paying to see a fictional 'Itchy & Scratchy' film, a show they can watch for free on TV. In a meta-commentary, he breaks the fourth wall, poking fun at viewers for doing the same with 'The Simpsons.'

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'Jay and Silent Bob Strike Back' (2001) -

This meta-comedy playfully acknowledges the absurdity of a film centered around these minor characters from the movie 'Clerks' (1994). At one point, Ben Affleck's character ironically looks right into the camera and states, "A Jay and Silent Bob movie? Who'd pay to see that?"

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'American Psycho' (2000) -

This satirical horror film critiques the materialistic and superficial nature of 1980s Wall Street culture. It challenges the audience's fascination with violence and their complicity in a society that values appearance over substance.

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'Scary Movie' (2000) -

Parodying well-known '90s and '00s movies, this film is both a spoof of the slasher horror genre and a critique of the audience's fascination with its tropes. 

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'Fight Club' (1999) -

The film tackles complex themes such as existentialism and toxic masculinity. While some viewers may still glorify the film's villainous character, Tyler Durden (Brad Pitt), director David Fincher warns, "It's impossible for me to imagine that people don't understand that Tyler Durden is a negative influence. People who can't understand that, I don't know how to respond and I don't know how to help them."

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'The Matrix' (1999) - The sci-fi classic questions the nature of reality and free will. Are we truly free, or is the system controlling our lives? It also provokes viewers to consider whether they would prefer to continue living an artificial life or "wake up," as symbolized by the blue pill-red pill metaphor.

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'The Truman Show' (1998) -

This sci-fi drama explores the voyeuristic nature of reality TV and the audience's complicity in it. Released before the rise of shows like 'Survivor' and 'Big Brother,' the film eerily predicted the public's fascination with true crime and the treatment of real people as entertainment.

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'Natural Born Killers' (1994) -

It's an empathic critique of the audience's fascination with violence and the media's role in glorifying it. By portraying charismatic killers, the film highlights the audience's morbid curiosity and the media's exploitation of such figures.

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'Friday the 13th Part VI: Jason Lives' (1986) -

In the sixth of 12 'Friday the 13th' movies, the film playfully comments on the audience's enduring fascination with the series, even as it continues to resurrect its iconic killer. A character even glances toward the camera and says, "Some people have a strange idea of entertainment."

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'Stardust Memories' (1980) -

Before his fall from grace, Woody Allen was known for his comedic chops. In this film, Allen seems to express his frustration with audiences who rejected his attempts at more serious cinema as the film portrays a successful comedic director who is pressured into making funny movies after his first drama tanks.

Sources: (Collider) (Screenrant) (Taste of Cinema) (The Observer) (The Wrap) (Variety) (The Independent) (The Atlantic) (Vogue)

See also: Famous people who hated their on-screen portrayals

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